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Ok, so this Sunday Cuteness is dedicated to the one and only Maxwell. Ladies, not only his he fine but he is super talented. This past Wednesday, I was lucky enough to attend the final concert of his summer tour at the DPAC (Durham Performing Arts Center) in downtown Durham.


I said it once and I'll say it again. I love Jordin! It's not her virginal image or striking good looks. I'm simply a sucker for a good pop hook and she delivers that. Her new album Battlefield drops the day before my birthday.
1. Walking On Snow
2. Battlefield
3. Don’t Let It Go To Your Head
4. S.O.S. (Let The Music Play)
5. It Takes More
6. Watch You Go
7. No Parade
8. Let It Rain
9. Emergency (911)
10. Was I The Only One
11. Faith
12. The Cure
13. Postcard (deluxe edition bonus track)
14. Papercut (deluxe edition bonus track)
DVD
From listening to the preview below, Walking on Snow, Let It Rain, The Cure & S.O.S. are some of my faves. There are also some great new promo pics!1. Hangin’ With Jordin Sparks
2. Battlefield Behind The Scenes
3. Battlefield Photo Shoot
4. Battlefield (music video)
Aaahhhh the blowout. Nothing like it. I cannot imagine what could make our naturally coily/curly/kinky hair bigger than a good old fashioned blowout. Hair looks light and fluffy, and sways in the wind. I remember I was riding through Greensboro one day and saw a man walking down the street with a little boy. I guess he could see where he was going but I don't know how, all I could see were inches and inches of glorious black hair swaying in the air in all directions. His blowout was fabulous!!!!!






Country music was a federation of styles, rather than a monolithic style. Its origins were lost in the early decades of colonization, when the folk dances (Scottish reels, Irish jigs, and square dances, the poor man's version of the French "cotillion" and "quadrille") and the British ballad got transplanted into the new world and got contaminated by the religious hymns of church and camp meetings. The musical styles were reminiscent of their British ancestors. The lyrics, on the other hand, were completely different. The Americans disliked the subject of love, to which they preferred pratical issues such as real-world experiences (ranching, logging, mining, railroads) and real-world tragedies (bank robberies, natural disasters, murders, train accidents).
The instrumentation included the banjo, introduced by the African slaves via the minstrel shows, the Scottish "fiddle" (the poor man's violin, simplified so that the fiddler could also sing) and the Spanish guitar (an instrument that became popular in the South only around 1910). Ironically, as more and more blacks abandoned the banjo and adopted the guitar, the banjo ended up being identified with white music, while the guitar ended up being identified as black music. For example, Hobart Smith learned to play from black bluesman Blind Lemon Jefferson, but went on to play the banjo while Jefferson played the guitar.
Growing up I always felt conflicted about the type of music I 'should' like versus the music I did like. Sometimes what I liked was different that what I thought I 'should" like and sometimes it was the same. Being from Nashville, TN, I always heard "Oh you're from Nashville so I know you like country!" Back in the 90's I really didn't. But now, since country is slightly more pop Ifind myself liking it more and more. I love Carrie Underwood and Sugarland. And before Darius went country (although he always sounded a little country to me), I liked Hootie and the Blowfish.